Grateful Dead · 1981 Live Electric Album
| # | Song | Key | Chords | Numbers | Bass | Sources |
|---|---|---|---|---|---|---|
| 1 | Samson and Delilah | G | G, C, D, Bmb5, C+4+9, C#mb5, F# | 1, 4, 5, 3ø, 4(+4/9), #4ø, VII | Bass track is credited to Phil Lesh, so it transcribes his actual part rather than a generic root line. Songsterr |
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| 2 | Friend of the Devil (slow electric arrangement) | G | G, C, D, Am, C# | 1, 4, 5, 2m, #4 | Songsterr hosts two transcriptions of this part (this and a separate 'Right Version') — cross-check before settling on fingerings. Songsterr |
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| 3 | New Minglewood Blues | E | E, A, B, G | 1, 4, 5, b3 | — | AZLyrics Genius Dead.net Rukind |
| 4 | Deal | A | A, C#7, F#m, E, D7, A°, G#, G, F#, B, D | 1, III7, 6m, 5, 4(7), 1°, VII, b7, VI, II, 4 | Songsterr | AZLyrics Genius Dead.net Rukind |
| 5 | Candyman | C | C, Gm, F, G, Dm, Bb, Am | 1, 5m†, 4, 5, 2m, b7, 6m | — | AZLyrics Genius Dead.net Rukind |
| 6 | Little Red Rooster | D | D, A7, E7 | 1, 5(7), II7 | Howlin' Wolf original rather than the Dead arrangement: slow blues in G alternating a low walking figure with a higher-register answer, leaving space under the vocal. Big Bass Tabs |
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| 7 | Loser | Am | Am, G, C, D, Em, C/B, A | 1m, b7, b3, IV, 5m, b3/2, I* | Circulated versions are root-motion with short chromatic walk-ups between changes rather than a fixed repeating riff. Songsterr |
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| 8 | Passenger | A | A, D, G, C, E, Am | 1, 4, b7, b3, 5, 1m† | Human-edited transcription with a fingerstyle bass track, rated 3 of 5. Songsterr |
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| 9 | Feel Like a Stranger | A | A, G, C#m, B, D, E, F#m, G/D | 1, b7, 3m, II, 4, 5, 6m, b7/4 | Songsterr | AZLyrics Genius Dead.net Rukind |
| 10 | Franklin's Tower | A | A, G, D | 1, b7, 4 | Human-made transcription labeled 'Electric Bass (Phil Lesh)' — hardest part in the arrangement, a continuously moving line under the repeating vamp. Songsterr |
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| 11 | Drums (instrumental) | — | Percussion duet (Hart/Kreutzmann) — no chords | — | ||
| 12 | Space (instrumental) | — | Improvised instrumental — no chords | — | ||
| 13 | Fire on the Mountain | B | B, A | 1, b7 | One two-bar figure carries intro, verse and chorus throughout — Phil starts it an octave lower, then jumps up and varies it as the jam develops. Big Bass Tabs |
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| 14 | Greatest Story Ever Told | C | C, F, Am, Em, G, D, Dm | 1, 4, 6m, 3m, 5, II, 2m | — | AZLyrics Genius Dead.net Rukind |
| 15 | Brokedown Palace | F | G, Am, Bb, F, C, Dm, A | II, 3m, 4, 1, 5, 6m, III | — | AZLyrics Genius Dead.net Rukind |